This dissertation analyzes the theory and practice of the Cuban postmodern writer Severo Sarduy () from his early adult years in. Barroco y el neobarroco, el has 3 ratings and 0 reviews: Published by El Cuenco de Plata, Paperback. Valentín Díaz UNIVERSIDAD DE BUENOS AIRES/CONICET Argentina. Valentín Díaz Licenciado en Letras, docente de la Facultad de Filosofía y Letras.
|Published (Last):||18 October 2007|
|PDF File Size:||17.88 Mb|
|ePub File Size:||7.74 Mb|
|Price:||Free* [*Free Regsitration Required]|
Thanks for telling us about the problem. To ask other readers questions about Barroco y el neobarroco, elplease sign up.
Lists with This Book. Severo Sarduy was a Cuban poet, author, playwright, and critic of Cuban literature neobarrco art. His literary work is influenced by three major elements: This document is currently not available here. By studying his narrative through the light of his theoretical essays, this paper demonstrates that the author created his own type of reading model —from and for Sarduy.
Keywords theory, practice, neobarroque, severo sarduy, psychoanalysis, buddhism, mysticism, poststructuralism. Sarduy will be remembered chiefly for his brilliant, unpredictable, iconoclastic and often grimly funny dl, works of a totally liberated imagination composed by a master of disciplined Spanish style.
Rights Statement In Copyright. For other uses you need to obtain permission from the rights-holder s.
Barroco y el neobarroco, el
This dissertation analyzes the theory and practice of the Cuban postmodern writer Severo Sarduy from his early adult years in Cuba to his exile period in Paris, France, where he lived until his death. Be the first to ask a question about Barroco y el neobarroco, el.
Open Preview See a Problem? Refresh and try again.
El barroco y el neobarroco, Severo Sarduy | Valentín Díaz –
Goodreads helps you keep track of books you want to read. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition to his own writing, Sarduy edited, published and promoted the work of many other Spanish and Latin American authors first at Editions Seuil and then Editions Gallimard.
No trivia or quizzes yet. This is also the empty space of no signification or nonsense in which occurs the depersonalization of the speaking subject; in Buddhist terminology this becomes the dissolution of the ego. Barroco y el neobarroco, el by Severo Sarduy. Ana Builes barrock it really liked it Aug 31, In addition to his own writing, Sarduy edited, published and promote Severo Sarduy was a Cuban poet, author, playwright, and critic of Cuban literature and art.
This style breaks with the traditional art concept of mimesis the representation of reality in the western worldand therefore with the correspondence between the signifier and the signified.
He secero the sublime and the ridiculous, mingling oral traditions with literary mannerisms adopted from his baroque masters.
Paradoxically, this signifier chain produces an excess of metaphors beyond the material limits of language and its support, the page. The Sarduyan language is determined by a Lacanian psychoanalytic erotic neobarrroco pulsion known as the Barroquean desire, a death drive which directly relates to the exile condition of the author.
In Sarduy’s obituary in The Independent, James Kirkup wrote, “Sarduy was a genius with words, one of the great contemporary stylists writing in Spanish. Preview — Barroco y el neobarroco, el by Severo Sarduy.
Want to Read saving…. To see what your friends thought of this book, please sign up.
Trivia About Barroco y el neob That is the reason why Sarduy not only poses an aesthetic question but also an ontological one.
The empty space created in the text provides the subject with the possibility of fusion with the all. Ultimately, Sarduy strives for a language that goes beyond the symbolic limits towards a place of constant dissolution, evanesce, and death —horror vacui. The Neobarroque of Severo Sarduy is an aesthetic of the empty signifier based on the reckless expenditure, and ultimately exhaustion, of the artifices of language that precipitates in a signifier chain towards the infinite.
His third novel, Cobratranslated by Neobarrico won the Prix Medicis for a work of foreign literature in translation. His language does not transmit a message but it signifies itself, that is, a means without an end.
Sarduy does not intend to represent neobaarroco but to go beyond it, achieving, by his technique of signifying exhaustion, to represent absence itself. This other dimension of the Sarduyan writing is based on a liberating drive that permeates all his work —an ontological liberation expressed through language.
There are no discussion topics on this book yet. Abstract This dissertation analyzes the theory and practice of the Cuban postmodern writer Severo Sarduy from his early adult years in Cuba to his exile period in Paris, France, where he lived until his death.
Return to Book Page.